Stacii Samidin
Documentaries and Stories

(1987 – Based in Rotterdam, The Netherlands)


Raw honesty, radicalism, and unfamiliar territories are the foundation of Samidin’s continuous life’s work called Societies. At the core, is the essence of seeing, hearing and accepting a human being without prejudice and judgment. Documenting the lives of minorities, the oppressed and of those with unorthodox lifestyles all around the world. Creating a shift in the individual and collective consciousness by challenging our perception and raising the voices of the unheard through photography and film.
During his teenage years, Samidin (1987, Rotterdam) had difficulty conforming to the world around him. Being labeled by stereotypes and feeling unheard himself, Hip Hop and radicalism became his allies. He started documenting his environment without the intent of becoming a photographer. This came to the attention of professional documentary photographer Kees Spuijt who introduced him to the field. Shortly after, Samidin got the opportunity to exhibit his first series Moluccans in The Netherlands (2011), a controversial subject about the Republic of South Maluku (RMS) youth, in the Nederlands Fotomuseum. From that moment on Samidin understood the power of his medium. Photography became his first language and it had a tremendous influence on his personal life and strong work ethic.
Becoming the first gang photographer of The Netherlands was his goal until he was yet again confronted by stereotypical labels and started traveling extensively. This developed the desire to question one’s truth. Breaking down stereotypes, studying the relationship between the character of a person and its environment and offering a platform for open and honest dialogue. A broader motive came to life: Societies.
Samidin is a true visual anthropologist. As explained by himself, ninety percent of his work
consists of connecting with his subjects, building trust and sometimes even living alongside them. The remaining ten percent uncovers the material, a direct reflection of himself as both a person and artist. Each photograph is an intimate authentic moment, a millisecond in time only his analog camera can capture. Through this, Samidin believes, even the subconscious is exposed. The process in itself is a work of art. The inspiration came from the masters of photography who defined the expertise through analog methods. A legacy Samidin strives to continue with Societies.
When it comes to the places Samidin explores, many often wonder how he can enter spaces most of us never get to see. His sincere approach and fascination for the real parts of a neighborhood combined with majestic synchronicity guides him every time. Beyond The Netherlands, Samidin has captured Societies in Kingston, Nairobi, Dakar, Paris, Los Angeles, Chicago, Berlin, Shanghai, Chengdu, Guangzhou, Paramaribo, Jakarta, Aceh, Bali, Ambon, and the list keeps on growing. By exhibiting the photographs of all these individuals, groups and places by random order Samidin reminds us that no matter where we are from or how we live our lives, we are all human beings. The similarities or differences are ours to define.
Societies has been awarded with the Grand Prize of the Jury by De Kracht van Rotterdam (2016) and has been exhibited both nationally by FotoFestival Naarden (2017), TENT Rotterdam (2017) and internationally in Wuhan, China (2014) and Bali, Indonesia (2017) amongst numerous others. The vision and technique behind Societies extends to all other areas of Samidin’s work: commercial photography, teaching master classes and directing music videos and documentaries. Even with commissioned photography exhibitions such as Het Café (2018) for Rijksmuseum, about the bar culture in The Netherlands and Merdeka! (2019) for Wereldmuseum about the aftermath of Indonesian colonization by the Dutch.
All has led to a new area of expertise: Gallery Stacii Samidin (2019). The creation of a new world in his beloved hometown where Societies resides and in which everyone can be their authentic self. Hereby a dream of the nineteen-year-old Samidin came true. There’s one classic quote that has been inspiring him since his youth and concludes the journey so far:


“The World is Yours”


// Graduation Willem de Kooning academy, Rotterdam [NL] 2014
// Gallery Stacii Samidin, Rotterdam [NL] 2019
// Exhibitions:
– Merdeka, Dossier Dutch Indië, Wereldmuseum, Rotterdam [NL]
– Hollandse Meesters Herzien, Amsterdam Museum Hermitage, Amsterdam [NL]
– Societies Jamaica, Clarks x Patta, London [ENG]
– Societies, Mash Gallery, Rotterdam [NL]
– Societies, Document Netherlands, “Het Cafë”, Rijksmuseum, Amsterdam [NL]
– Societies, Jenja, Bali [Indonesia]
– Societies, Tent Rotterdam, Metro54, Rotterdam [NL]
– Societies, Antwerpen [Belgie]
– Societies, Shanghai [China]
– Societies, Naarden Photo Festival, Naarden [NL]
– Societies, Route du Nord, Rotterdam [NL]
– Schiedamswater, Schiedam, Rotterdam [NL]
– Societies, MotelMozaique, Rotterdam [NL]
– Societies, Rotterdam Photo Festival, Rotterdam [NL]
– Societies, Kunsline Flevoland Almere, Almere [NL]
– Route du Nord, Noordsingel, Societies, Rotterdam [NL]
– Charlois Speciaal, Kerkgangers, Rotterdam [NL]
– The world is yours, HipHopHuis, Rotterdam [NL]
– Societies, De kracht van Rotterdam, Rotterdam [NL]

– Societies, Cinerama Film Theater, Rotterdam [NL]
– Societies ButcherBoy, Rotterdam [NL]
– Societies, Kunstenaarsbal, Amsterdam [NL]
– Societies, TwentySix, Rotterdam [NL]
– Societies, Route du Nord, Bird, Rotterdam [NL]

– Le Cru, Freshcotton, Amsterdam [NL]
– Societies, Luchtsingel Opperclaes, Rotterdam [NL]
– Societies, Kadmium, Delft [NL]
– Societies, SBK Dordrecht [NL]
– Societies, Wuhan [China]
– Societies, Roodkapje, Rotterdam [NL]
– Flinkwerk, Centrale Bibliotheek Rotterdam, Rotterdam [NL]
– Maison de Haubans, Malakoff, Nantes, Frankrijk [FR]
– Angry, Nederlands Foto Museum, Rotterdam [NL]


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